Boombox
visual audio mixing& extensive sfx library




Trusted worldwide in production workflows





45 packs & counting.
2,000+ searchable tags.
15,000+ sound effects.
Listen to all packs
The Library
45 packs, 15,000+ sounds, 2,000+ tags, and every one of them plays before you download a thing. Sounds stream on demand, so you can audition the whole library first and only download the packs you keep.
Favorites
Favorite a sound from a pack, a search or your own imports and it collects in Favorites. One toggle shows only the starred ones.
Stream or Download
All 45 packs are playable the moment you open the app. Sounds stream on demand, so you can audition the entire library before downloading anything. Download the packs you keep and they play offline.
Search
One field searches sound names, packs and tags at once. Every result carries its pack, duration and full tag list
Stream or Download
All 45 packs are playable the moment you open the app. Sounds stream on demand, so you can audition the entire library before downloading anything. Download the packs you keep and they play offline.
Search
One field searches sound names, packs and tags at once. Every result carries its pack, duration and full tag list
Tags
Pick a tag and the panel narrows to the tags that still appear alongside it, so you are able to find SFX for anything
Filters
Narrow results by pack, by duration, or to favorites only. History filters by date instead.
Tabs
Search several packs at once. Each search keeps its own tab, named after what you searched for and holding its own filters and selection.
Packs
Every pack is produced and mixed by our award-winning composer, with its own (human-made) artwork, description, sound count and total runtime. New packs arrive regularly and sync in the background.
Favorites
Favorite a sound from a pack, a search or your own imports and it collects in Favorites. One toggle shows only the starred ones.
One-click Sync
Every sound carries a hand-picked Cue Point™ marking its impact. Add drops a sound at your playhead with the cue on that frame. Swap replaces a clip where it sits. Cue layers another sound onto the same moment. Set an Auto-Mix range and nothing lands at 0 dB dead center.
Auto-Mix
Set a volume and pan range once and everything you place lands inside it. Each parameter has its own switch, so you can randomize pan and leave volume alone.
Add
Every sound carries a hand-picked Cue Point™ marking its impact. Add drops the sound on the next free audio track with that cue landing on your playhead.
Swap
Wrong sound? Select the clip, pick another, hit Swap. The clip is replaced where it sits with its Cue Point™ on the same frame. No re-trimming, no nudging.
Add
Every sound carries a hand-picked Cue Point™ marking its impact. Add drops the sound on the next free audio track with that cue landing on your playhead.
Swap
Wrong sound? Select the clip, pick another, hit Swap. The clip is replaced where it sits with its Cue Point™ on the same frame. No re-trimming, no nudging.
Cue
Cue layers another sound onto a new track, aligned to the same Cue Point™ as the clip you have selected.
Auto-Mix
Set a volume and pan range once and everything you place lands inside it. Each parameter has its own switch, so you can randomize pan and leave volume alone.
Mixing
Every sound in your comp is a point in a dome, where distance from the center is volume and angle is pan. Drag a point and the clip on your timeline follows.
Audio Skins
Turn on Audio Skins and the selected sound draws lines to the ones before and after it, with arrows showing which way the mix is moving.
Constellation™
Your whole project becomes a constellation. Every sound takes a place in the field, and mixing is a matter of moving through that space until everything sits where it should.
The Project List
Every sound you’ve placed, with its volume on a slider and its pan on a knob, reading out in dB and degrees. Sort by any column, search within the comp, and select rows to mix them as a group.
Constellation™
Your whole project becomes a constellation. Every sound takes a place in the field, and mixing is a matter of moving through that space until everything sits where it should.
The Project List
Every sound you’ve placed, with its volume on a slider and its pan on a knob, reading out in dB and degrees. Sort by any column, search within the comp, and select rows to mix them as a group.
Auto-Mix & Distribute
Select the sounds, set a volume and pan range, and preview it as a wedge on the dome before you commit. Auto-Mix randomizes inside the range; Distribute spreads the selection evenly across it.
Audio Skins
Turn on Audio Skins and the selected sound draws lines to the ones before and after it, with arrows showing which way the mix is moving.
Thousands of searchable tags.
Your Packs
The 15,000 sounds are ours. Everything else is yours: import a folder of your own audio, tag and rename it inline, build packs for a project, and export one to hand to whoever is finishing the job.
History
Every sound you Add, Cue or Swap is written to History with the date it was used.
Import a Folder
Pick a folder of your own audio and Boombox builds a custom pack out of it, sitting alongside the 45 that ship with the app.
Export Packs
Any pack you build exports as a single file and imports again anywhere, tags and Cue Points™ intact.
Import a Folder
Pick a folder of your own audio and Boombox builds a custom pack out of it, sitting alongside the 45 that ship with the app.
Export Packs
Any pack you build exports as a single file and imports again anywhere, tags and Cue Points™ intact.
Favorites
Favorite the sounds you keep coming back to and find them again in the Favorites tab.
History
Every sound you Add, Cue or Swap is written to History with the date it was used.
Fits Your Setup
Boombox connects to After Effects, Premiere Pro, Audition and DaVinci Resolve, full-size beside your edit or docked as a narrow plugin panel. Preview volume matches After Effects dB exactly, and switching sounds no longer pops.
Preferences
A complete set of preferences and settings to customize Boombox to the way you work.
Plugin Mode
Run Boombox full-size beside your edit, or shrink it to a single column that fits a plugin dock. Toggle the tag panel and the Duration, Pack and Favorite columns, scale the UI, or drag a sound straight onto the timeline.
Preferences
A complete set of preferences and settings to customize Boombox to the way you work.
Plugin Mode
Run Boombox full-size beside your edit, or shrink it to a single column that fits a plugin dock. Toggle the tag panel and the Duration, Pack and Favorite columns, scale the UI, or drag a sound straight onto the timeline.
Preferences
A complete set of preferences and settings to customize Boombox to the way you work.
Users say
“I try to use Boombox every time i am working on mograph and 3d video. Mostly i got all needed sound, but sometimes there is no some simple things like thunder or door, or chain. Maybe it's problem of searching engine, i don't know. But every sound which is in library got very good quality.”
Dartr Nemec
“I use Boombox on almost every project, it is a huge timesaver having all those amazing sounds at your fingertips without the need to open an other software or export anything. I just search, add and I'm done.”
Geos from Werx Studio
“Boombox is without a doubt the easiest way to add sound effects to your project. Period.”
Erik at Momotion
“Love the tool allows me to sound design quickly, love the fact that I don't have to import sounds and that they are just always there.”
Pat Birks
“Boombox is one of those plugins that, once installed and used, you can't do without. It's a tool designed to collaborate with you. Adding that extra ingredient to the production process that makes things "POP!" The user interface is appealing, the sounds are of high quality, and the ease of use is exactly what bundled plugins should be like.”
camilo @commercetools
“I use Boombox on every project! Commercial, Fiction and Non-Fiction. The quality of the sound makes me a better editor and having everything right there on the software, while also copying the files to my project folders, makes the process easier and faster!”
Luisa Piña
“Boombox is a must for any motion designer or video editor. The ease of adding sound to my projects makes it so that I sound design even quick turn projects now.”
Colt, motion designer
“Boombox is an incredibly handy tool to have, and with its wide variety of sound packs, I've always been able to find what I needed.”
pprmint.
“Boombox is awesome. Whenever I need to add sfx in Ae you can be sure there'll be Boombox.”
rogrthat
“I've been using Boombox for years now and it makes creating videos a lot easier than before. My videos are now much more engaging and people love them!”
@O's Fun Planet
“Once I got boombox I now cant go back. I used to comb through freesound.org and now its a quick search and import”
Steve
“Boombox is a big helper in my motion design and audio production workflow. I love that they put a really nice search, great keywording and really nice functions into a great and efficient UI that works in all different sizes of screen estate. Keep up the good work, Mt Mograph!”
Tom K, Vienna, Austria
“The range and quality of sounds in Boombox is quite nice, although truth be told, the UI is rather cryptic & clunky. But overall... good stuff!”
Jay Kaslo
“Boombox is an essential part of finishing off my animation projects”
Coen @ Coendeurloo.com
“I love using Boombox. It's so convenient to have a large sound effects library right in Premiere. So easy to find and add sound effects for all of my projects.”
Kit Sinclair - Freelance Motion Designer
“Boombox has become an indispensable tool in my motion design and content creation toolkit. As a professional animator, I use After Effects every day, and Boombox seamlessly enhances my projects with its comprehensive sound design toolkit and expansive audio library. Saving me valuable time and elevating the overall production value of my work. Whether I'm crafting dynamic animations or engaging promotional content, Boombox consistently delivers in streamlining my workflow. I recommend Boombox to fellow animators and motion designers—it's a game-changer that adds a new dimension to creative storytelling.”
Mateo Baldasare @mateobaldasare
“Boombox is a tool that i can not live without. Every project I do is elevated through sound and Boombox what I turn to for SFX.”
Morgan Mendieta
“When I need to add sound effects to a project my starting point is always Boombox Motion”
Paulplow
“Boombox made it easy and fun to add sounds to my animation and video. I can now offer this additional service and it was very easy to add in to my work flow.”
Colwin Egenolf
“Boombox is a great tool from early sound exploration in animatics to final mix for delivery. Extremely high quality and expansive library of sound effects that elevates my motion work.”
Jamie P - Melon Fresh Design
“Boombox makes adding SFX fun and the ability to explore sounds so easily lets your creativity roam in the editor.”
Billy Wood
“Boombox is one off my favorite extensions for AE. It's a robust and useful tool that I use every time I add the finishing touches to a project.”
Jose D.
“Boombox changed my workflow completely before I went on five different sites, finding CC0 sounds, editing them, and adding them to my project. now I just search boombox and add the perfect sound in seconds”
Alec F.
“I used to store a bunch of sound effects in random folders on my computer, and searching for things was a nightmare, and it made sound design extremely tedious. Then I became enlightened and started using Boombox. I can now whip through sound design in a fraction of the speed, I get the very rare but oh-so-welcome "client note" on the sound design where it's actually just a compliment, and the overall process is now quite enjoyable!”
Casey at Peer Through Media
“Boombox is a great tool to have right inside of After Effects. Quality sounds add professionalism to any project.”
S. Hemphill
