Boombox
visual audio mixing& extensive sfx library




Trusted worldwide in production workflows





45 packs & counting.
2,000+ searchable tags.
15,000+ sound effects.
Listen to all packs
The Library
45 packs, 15,000+ sounds, 2,000+ tags, and every one of them plays before you download a thing. Sounds stream on demand, so you can audition the whole library first and only download the packs you keep.
Favorites
Favorite a sound from a pack, a search or your own imports and it collects in Favorites. One toggle shows only the starred ones.
Stream or Download
All 45 packs are playable the moment you open the app. Sounds stream on demand, so you can audition the entire library before downloading anything. Download the packs you keep and they play offline.
Search
One field searches sound names, packs and tags at once. Every result carries its pack, duration and full tag list
Stream or Download
All 45 packs are playable the moment you open the app. Sounds stream on demand, so you can audition the entire library before downloading anything. Download the packs you keep and they play offline.
Search
One field searches sound names, packs and tags at once. Every result carries its pack, duration and full tag list
Tags
Pick a tag and the panel narrows to the tags that still appear alongside it, so you are able to find SFX for anything
Filters
Narrow results by pack, by duration, or to favorites only. History filters by date instead.
Tabs
Search several packs at once. Each search keeps its own tab, named after what you searched for and holding its own filters and selection.
Packs
Every pack is produced and mixed by our award-winning composer, with its own (human-made) artwork, description, sound count and total runtime. New packs arrive regularly and sync in the background.
Favorites
Favorite a sound from a pack, a search or your own imports and it collects in Favorites. One toggle shows only the starred ones.
One-click Sync
Every sound carries a hand-picked Cue Point™ marking its impact. Add drops a sound at your playhead with the cue on that frame. Swap replaces a clip where it sits. Cue layers another sound onto the same moment. Set an Auto-Mix range and nothing lands at 0 dB dead center.
Auto-Mix
Set a volume and pan range once and everything you place lands inside it. Each parameter has its own switch, so you can randomize pan and leave volume alone.
Add
Every sound carries a hand-picked Cue Point™ marking its impact. Add drops the sound on the next free audio track with that cue landing on your playhead.
Swap
Wrong sound? Select the clip, pick another, hit Swap. The clip is replaced where it sits with its Cue Point™ on the same frame. No re-trimming, no nudging.
Add
Every sound carries a hand-picked Cue Point™ marking its impact. Add drops the sound on the next free audio track with that cue landing on your playhead.
Swap
Wrong sound? Select the clip, pick another, hit Swap. The clip is replaced where it sits with its Cue Point™ on the same frame. No re-trimming, no nudging.
Cue
Cue layers another sound onto a new track, aligned to the same Cue Point™ as the clip you have selected.
Auto-Mix
Set a volume and pan range once and everything you place lands inside it. Each parameter has its own switch, so you can randomize pan and leave volume alone.
Mixing
Every sound in your comp is a point in a dome, where distance from the center is volume and angle is pan. Drag a point and the clip on your timeline follows.
Audio Skins
Turn on Audio Skins and the selected sound draws lines to the ones before and after it, with arrows showing which way the mix is moving.
Constellation™
Your whole project becomes a constellation. Every sound takes a place in the field, and mixing is a matter of moving through that space until everything sits where it should.
The Project List
Every sound you’ve placed, with its volume on a slider and its pan on a knob, reading out in dB and degrees. Sort by any column, search within the comp, and select rows to mix them as a group.
Constellation™
Your whole project becomes a constellation. Every sound takes a place in the field, and mixing is a matter of moving through that space until everything sits where it should.
The Project List
Every sound you’ve placed, with its volume on a slider and its pan on a knob, reading out in dB and degrees. Sort by any column, search within the comp, and select rows to mix them as a group.
Auto-Mix & Distribute
Select the sounds, set a volume and pan range, and preview it as a wedge on the dome before you commit. Auto-Mix randomizes inside the range; Distribute spreads the selection evenly across it.
Audio Skins
Turn on Audio Skins and the selected sound draws lines to the ones before and after it, with arrows showing which way the mix is moving.
Thousands of searchable tags.
Your Packs
The 15,000 sounds are ours. Everything else is yours: import a folder of your own audio, tag and rename it inline, build packs for a project, and export one to hand to whoever is finishing the job.
History
Every sound you Add, Cue or Swap is written to History with the date it was used.
Import a Folder
Pick a folder of your own audio and Boombox builds a custom pack out of it, sitting alongside the 45 that ship with the app.
Export Packs
Any pack you build exports as a single file and imports again anywhere, tags and Cue Points™ intact.
Import a Folder
Pick a folder of your own audio and Boombox builds a custom pack out of it, sitting alongside the 45 that ship with the app.
Export Packs
Any pack you build exports as a single file and imports again anywhere, tags and Cue Points™ intact.
Favorites
Favorite the sounds you keep coming back to and find them again in the Favorites tab.
History
Every sound you Add, Cue or Swap is written to History with the date it was used.
Fits Your Setup
Boombox connects to After Effects, Premiere Pro, Audition and DaVinci Resolve, full-size beside your edit or docked as a narrow plugin panel. Preview volume matches After Effects dB exactly, and switching sounds no longer pops.
Preferences
A complete set of preferences and settings to customize Boombox to the way you work.
Plugin Mode
Run Boombox full-size beside your edit, or shrink it to a single column that fits a plugin dock. Toggle the tag panel and the Duration, Pack and Favorite columns, scale the UI, or drag a sound straight onto the timeline.
Preferences
A complete set of preferences and settings to customize Boombox to the way you work.
Plugin Mode
Run Boombox full-size beside your edit, or shrink it to a single column that fits a plugin dock. Toggle the tag panel and the Duration, Pack and Favorite columns, scale the UI, or drag a sound straight onto the timeline.
Preferences
A complete set of preferences and settings to customize Boombox to the way you work.
Users say
“I don't often do my own SFX for client projects, but when I get to use Boombox, it's a treat!”
Workbench
“Since I found Boombox Intruely rarely need anything else for my sounddesign in Motion projects! Great stuff and so much has been added ( for free ) over the years!”
Stefan @ Gears of Motion
“I use Boombox on almost every project, it is a huge timesaver having all those amazing sounds at your fingertips without the need to open an other software or export anything. I just search, add and I'm done.”
Geos from Werx Studio
“Boombox is a great tool to have right inside of After Effects. Quality sounds add professionalism to any project.”
S. Hemphill
“Boombox makes adding SFX fun and the ability to explore sounds so easily lets your creativity roam in the editor.”
Billy Wood
“Boombox is a amazing way to search for SFX right in AE and line it up straight away without hassle.”
“I've found Mt. Mograph plugins to be absolutely essential to my workflow. I've saved so much time and found new ways to create thanks to them!”
Jacob W @ Faceplant Creative
“Boombox is my go to source for sounds when working in AE. The easy licensing, user friendly UI, and large library of various sounds make it well worth the price.”
Zac @ zac landry designs
“For a quick sound effect pass Boombox has been a life saver!”
Chris Lupton
“Boombox has become an indispensable tool in my creative process. With its seamless integration into Premiere, I find myself using it for almost every project I work on. The intuitive interface saves me a considerable amount of time, allowing me to focus on the artistry of my work. I find myself reaching for Boombox even over much pricier and bigger professional libraries, as its sounds are incredibly versatile and of exceptional professional quality. The diverse array of sounds in their library has truly elevated the quality of my projects”
Daniel Fainberg, sound designer
“Boombox and the other awesome tools Mt. Mograph puts out have been crucial to helping me streamline my workflow!”
Micah Yaple - Graphic Designer
“Boombox has such a versatile sound library that I can build upon to create more complex sounds. I most often use this more than what the client could provide.”
TKP
“Great UI, easy to work with. Could use some more subtle sounds but overall good bang for your buck.”
Ruzd @ Monster Match Studios
“Boombox is one of the most affordable and comprehensive SFX libraries out there with consistently high quality recordings.”
Kyle Slinn
“Whenever I want to add sound fx to a project, Boombox is always my very first stop. Its integration with AE is top drawer.”
Daniel
“If you want your animations to sound cool and you want to save you money and sanity get BOOMBOX. all inside AE. all sounds you need and it gets updated all the time!!”
Tasos Mpougkis
“The best after effects plugin for adding sound in the world”
Alex iji
“It's good shit”
“Its the great sound pack in the world!”
“Boombox has been a timesaver on my projects. Each and every sound effect I need, I can find it there.”
José Guimarães
“First there was nothing. Then there was Boombox. Building a sound design mix is the favorite part of my mograph production workflow thanks to Boombox's vibrant selection of sound effects, and how well designed and integrated the UI is with After Effects and Premiere. It is a tool that is absolutely worth every penny.”
Hafsah M.
“I used to store a bunch of sound effects in random folders on my computer, and searching for things was a nightmare, and it made sound design extremely tedious. Then I became enlightened and started using Boombox. I can now whip through sound design in a fraction of the speed, I get the very rare but oh-so-welcome "client note" on the sound design where it's actually just a compliment, and the overall process is now quite enjoyable!”
Casey at Peer Through Media
“Boombox is an incredible tool with a huge repertoire that's updated frequently, and it's very useful for projects where I don't have the budget to hire a sound designer. The sounds are of excellent quality and really well thought-out for motion design.”
@animai.motion
“I've used Boombox on several proffesional projects, and it's been a tremendous help with adding creative and foley sound to my projects. I think this is such a great addition to have in your creative workflow.”
Oskar H. Freelance Motion Design & Video Editor
“I use Boombox literally every time i open After Effects or Premiere. This plugin was a bless to my workflow and SFX needs. I can't recommend it enough.”
Nicolas Chidem
